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Free Shipping

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FedEx Shipping

All merchandise except for oversized items (e.g. Flat screen LED TVs over 55" and plasma TVs over 51") advertised on Beachcamera.com are usually shipped via FedEx.

All packages shipped from Beachcamera.com require a signature upon delivery. Please arrange for someone to sign for the delivery if you are unable to do so. We recommend that you provide an email address so that we may keep you informed of the status of your order and send you tracking information. You will be able to track your order online or by phone for an estimated time of arrival. FedEx will attempt to deliver your package three times before returning it to Beachcamera.com

United States Postal Service (USPS) Shipping

Small items such as memory cards may be shipped by the Post Office.

If the destination address is a PO Box or an APO/FPO, we will ship your order via USPS since FedEx is unable to deliver to those destinations. We will provide tracking information via email after your order has shipped. Items delivered to a PO Box or an APO/FPO will be delivered in 7 - 10 business days. Final delivery for APO/FPO destinations will be subject to the Terms and Conditions of the APO/FPO services. Not all items can be shipped via USPS. Some items that are shipped via USPS may be subject to an additional shipping charge. If necessary, Beachcamera.com will contact you before the order is processed.

Oversized Merchandise Shipping

Oversized merchandise (Flat screen LED TVs over 55", plasma TVs over 51", BBQ Grills & Furniture) are shipped via a motor freight carrier that specializes in Home Delivery. Since these items are large and fragile, special handling is required, and cannot be shipped via our standard shipping options.

We take every precaution during our shipping preparation process to ensure that your order arrives to you in perfect condition. Each item on your order is scanned for accuracy of model and serial number. We apply large orange fragile sticker labels to notify the carrier that your shipment is fragile and requires special handling. The labels also include important step-by-step instructions on how to inspect and sign for your shipment. In addition to the manufacturer's standard foam and corrugated packaging, we also apply a special shock absorption polyethylene material to the outer carton of every TV. This safeguard will disperse energy from impact during transit, and eliminate damage to the product itself. Our professional appointment-based delivery service allows you to open and inspect your new TV prior to signing and accepting the TV. When you purchase a TV at Beachcamera.com, you can be sure that it will arrive perfect working order, and will remain that way for a long time to come.

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We are unable to delivery to the following addresses:

- Mail box drop off locations
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Standard Return Policy

We want you to love the items you purchase from Beachcamera.com. If you are not satisfied with your purchase for any reason, you may return items for a full refund within 45 days, subject to the conditions below.

- Returned merchandise must be in original condition and include all factory packed accessories and paperwork (e.g. battery, charger, cords, straps, unmarked warranty card, manuals, etc.), in the original manufacturer box and packaging with UPC, barcode, and serial number intact.

- Incomplete returns will receive a reduced credit, reflecting any missing peripherals.

- The product serial number must match the serial number in our database. Beachcamera.com maintains serial number tracking.

- We require that all approved returns of computers, tablets, and similar devices have the password removed or restored to the system default.

- Return merchandise must be double-boxed with no writing on the manufacturer's box. Your Return Authorization number should be prominently displayed on the outside of the shipping box.

You must contact our customer service department to arrange a return. All returns must be shipped to the following address:

BTC Beach Camera Returns
80 Carter Drive
Edison, NJ 08817

You must include the RA number issued to you by customer service, please be sure to write this number clearly on the return box.

Please be sure to save the shipment tracking number for your return. Merchandise lost or damaged during shipping is the shipper's responsibility.

Televisions over 65" must be returned via one of our Home Delivery Partners. Please contact us to schedule a pickup for your large TV return.

If your return is not the result of our error, the return shipping costs are the responsibility of the customer.

Television Returns

Buyer's Remorse for TVs in Brand New condition:
If you are not 100% satisfied with your TV purchase, you may return it within 30 days from delivery for a full refund, less return shipping fees. Please note that a 15% restocking fee may apply. All returned TVs must be in their original box and include all packing material, manuals, and accessories.

Damages:
We're here to help!
For Common Deliveries (FedEx, UPS):
Please inspect the TV and report any damages (e.g. cracked screen, scratches, dents, etc.) within 2 days by contacting us at 1.800.572.3224

For Special Handling/Freight deliveries:
Please open and inspect the TV prior to signing for it. If the TV is cracked or damaged, please refuse delivery and contact us immediately at 1.800.572.3224 .

Please note damage claims will be denied for the following:

- TVs with over 60 minutes of recorded usage
- TVs that have been moved from the original delivery address

All damage claims must be made within two (2) days of delivery. We will issue a refund and cover all shipping costs.

Manufacturer Defects:
Your TV is fully covered under your in-home one year Manufacturer's Warranty service. If any further assistance is needed, please contact us. *Open-Box units are covered under our in-house 90 day warranty.

Drones Returns

All defects can be handled under the manufacturer's warranty. For DJI brand drones, call DJI at 818-235-0789 and obtain a case number for the defect prior to requesting an RMA. Please note only Dead on Arrival units out of the box will be returnable to us (with a valid case number). DJI will NOT authorize any returns to us if there are any signs of use like dirt, grass stains, nicks or any signs of use. For these situations, the Return Authorization would need to be handled directly between the customer & DJI

Exceptions
  • Mattresses
  • Opened or Downloadable Software
  • Consumables, including batteries, paper and ink
  • Opened packages of Apparel, Bedding or Linens
  • Used Cookwear and BBQ Grills
  • Personal Body Massagers/Shavers
  • Special order items
  • Refunds

Refunds for returns are applied to the payment method used at the time of purchase. Once we receive and inspect the product we will credit your account. Please allow 5-7 business days for a credit to appear on your account.

Product Exchanges

If you purchased a product from Beachcamera.com that you wish to exchange for an alternative, you can return the item for a full refund and simply place a new order for the item you desire. A refund credit cannot be applied to a new purchase.

Defective Items

An item that was discovered to be defective upon receipt can be replaced or returned for a full refund.

Damage or Missing Items

Claims for items damaged in transit or missing items must be received within two business days of receipt of the shipment.

Replacement

We will send a product replacement after the authorized return has completed our receiving/inspection process. The replacement will ship within four business days following the receipt of your return. Please allow for additional processing time after holidays.

Although it is our goal to ship a replacement as quickly as possible, a replacement cannot be shipped before we receive and inspect the return. To receive a replacement more quickly, you may place a new order for the same item (shipping not included) and we will issue a refund for the full value of the returned product (including shipping) upon completion of our return process.

Contact Us

+1 (800) 572-3224

Customerservice@beachcamera.com

80 Carter Drive, Edison, NJ 08817

Product Details


Cinema Line FX2 | Full-frame Cinema Camera

Product Highlight:

Full-frame Exmor R™ CMOS 33MP1 sensor and BIONZ XR™ image processor engine

15+ stops dynamic range in Log mode with Dual base ISO (800/4000)

Flexible Log shooting modes — Flexible ISO, Cine EI, and Cine EI Quick

Angle-adjustable EVF

"BIG6" interface

AI-based Real-time Recognition AF for various objects

Compact body for handheld shooting; Cage free design

Log shooting mode for stills shares the same video post-production workflow

Active Mode/Dynamic active Mode image stabilization

Up to 16 LUT files can be imported by memory card or Creator's Cloud

Uninterrupted movie recording capability up to 4K 60p (59.94p)

12 Creative Look profiles for in-camera visual moods.

Anamorphic de-squeeze display for easy anamorphic monitoring

FPS menu for frame-rate control: 2.5x slow motion at 4K / 5x slow motion in Full HD

Sony offers more than 70 E-mount lenses to support all shooting styles.

AF Assist empowers manual focus with AF transition speed and sensitivity settings

Auto framing and crops and tracks subject to keep in prominent position

A switch for MOVIE or STILL mode saves and recalls settings for each

Cooling managed via internal fan, thermal components, and a design that facilitates air intake

NP-FZ100 battery provides up to 100 minutes actual video time

XLR-H1 enables four-channel audio, 24-bit audio via connectors, and a digital audio interface

Stream up to 4K 59.94p video via LAN

Two SD card slots with one supporting CFexpress Type A cards

4:2:2 10-bit or 16-bit RAW output to external recorder

Dust and moisture resistant design

Product Feature:

A new versatile tool for cinematic expression

As a gateway into a professional filmmaking career, the FX2 is a full-frame camera in the Cinema Line that inherits the visual philosophy of Sony's top-level VENICE series. Adopting the compact design, user interface, expandability, and reliability synonymous with Sony Cinema Line, it’s ideal for solo shooting, and introduces enhanced still image functions designed to support filmmaking.

For that professional cinematic look

The FX2 is the newest Cinema Line camera, designed to support professional filmmaking. By combining the high image quality of a full-frame sensor with cinematic and expressive tools modelled on Sony’s flagship VENICE 2 cinema camera, you have all the tools you need to bring your creative visions to life.

Cinematic expression with a full-frame sensor

The full-frame FX2 delivers stunning cinematic imagery, blending high resolution with beautiful bokeh. Equipped with a back-illuminated Exmor R™ CMOS sensor supported by our BIONZ XR™ image processing engine and advanced AI processing unit, the camera offers high sensitivity, wide latitude, and 33 MP1 resolution, giving ambitious cinematic visionaries everything they need.

Outstanding image quality for maximum editing flexibility

The FX2's full-frame sensor produces footage with smooth, natural gradations thanks to 15+ stops of latitude when recording with S-Log32, ensuring even high-contrast scenes are captured in full detail. Base ISO for S-Log3 capture can be set to 800 or 4000, and the camera supports S-Gamut3/S-Gamut3.Cine color gamuts for broad compatibility. It all adds up to make editing more efficient when shooting with multiple cameras.

Log recording modes for production flexibility

For creative flexibility, there are three modes available for Log recording — Flexible ISO, Cine EI, and Cine EI Quick — with Cine EI widely used in professional filmmaking on footage that requires more intensive work in post-production. Based on the shooting environment, choose a base ISO of either 800 or 4000 to maintain maximum latitude throughout the shoot, allowing specific tonal ranges to be enhanced in post production to achieve your desired cinematic look.

Multiple recording formats for versatile shooting and editing

7K oversampling is used with full pixel readout and no pixel binning when shooting full-frame 4K (QFHD 3840 x 2160), and 4K 60p (59.94p) recording is available in Super 35mm mode. With 10-bit depth, 4:2:2 color sampling, an efficient MPEG-H HEVC/H.265 codec, and Intra recording including DCI-4K (4096 x 2160), outstanding quality is assured.

Import up to 16 user LUTs

With the FX2, LUTs can be imported and applied to the LCD monitor and the electronic viewfinder while shooting or playing back movies. Up to 16 user LUT files7 can be imported from memory cards or Sony’s Creators’ Cloud and selected as needed. The LUT used for recording can then be embedded in the video metadata for post-production.

Create moods right in the camera

Picture Profile presets make it easy to adjust color and gradation to create a variety of moods in camera. These include the invaluable S-Cinetone™, which produces beautiful skin tones. Imported user LUTs can be registered as PPLUT 1 to 4 and applied during recording, and an expanded range of 12 Creative Look profiles, including FL2 and FL3, offers a comprehensive selection of visual moods for many recording needs.

Desqueeze display for anamorphic lenses

Anamorphic lenses are a popular choice for creating a distinctly cinematic look. The FX2 is equipped with a desqueeze display mode that allows monitoring in the standard CinemaScope aspect ratio of 2.93:1 while shooting with anamorphic lenses. It offers 1.3x and 2.0x desqueeze settings9, and Sony’s Monitor & Control app provides even more detailed settings for monitoring on a tablet or other external display devices.

Frame rate freedom

An FPS menu inherits features from Cinema Line higher-end models, including a [Variable] setting that allows intuitive frame-rate control: up to 2.5x slow motion11 at 4K resolution, or up to 5x slow motion11 when recording in Full HD at up to 120 fps.

An extensive range of expressive E-mount lenses

Sony offers a range of more than 70 high-performance E-mount lenses, including ultra-wide angles, super telephoto zooms, exquisite primes and powered zooms. Combine with Sony original microphones for outstanding sound quality and choose from a variety of other accessories to bring your creative vision to life.

Designed for solo shooting

Combining video features from current Cinema Line cameras with enhanced functions for stills that support filmmaking, the FX2 is designed to handle solo shooting in a wide range of circumstances, giving you maximum flexibility.

Compact and lightweight with built-in accessory mount points

With the same compact flat-top design as the Cinema Line FX3 and FX30, the FX2 is ideal for handheld shooting as well as gimbal and drone mounting. The magnesium alloy exterior has 1/4-20 (UNC) screw holes in three locations for mounting accessories, and two additional screw holes are located on the bottom panel for secure tripod mounting.

AI-based Real-time Recognition AF

Equipped with a powerful AI processing unit, the FX2 is capable of Real-time Recognition AF for humans, animals, birds, vehicles and even insects. A detection frame indicates the recognized subject and tracking can be initiated simply by touching the subject on the monitor screen. Advanced human pose estimation technology accurately recognizes subject movement, and human eye recognition has been improved by about 30% compared to the FX3/FX30.

Fine-tuned focus control

AF Assist allows seamless switching to manual focus for smooth focus transitions, while a range of 7 autofocus transition speed settings and 5 sensitivity settings offer detailed control. Focus Map makes it easier to visualize depth of field by overlaying focus info on the live view display, and the Breathing Compensation function can significantly enhance image stability.

Automatic framing using advanced AI

The FX2's Auto Framing feature automatically crops and tracks a subject to keep them in a prominent position when the camera is mounted on a tripod, producing footage that looks like it was shot by an experienced operator. The Framing Stabilizer function automatically keeps the subject in the same position within the frame, which can be useful, for example, when the camera operator is moving alongside the subject.

Stabilization for dynamic handheld shooting

Active Mode boosts stabilization while walking and shooting. For even faster paced shooting, there’s Dynamic active Mode, which utilizes electronic stabilization for as much as 30% greater effect, making it possible to shoot stable footage even when running around. Corresponding stabilization metadata is embedded in the footage for efficient post production.

Stills at the flip of a switch

A single switch selects MOVIE or STILL mode and instantly recalls all the corresponding settings. In addition to providing 33 MP resolution and continuous bursts at up to 10 fps, the camera is equipped with a [Creating still images from Shot Marks] function that allows you to snap stills while recording or playing video that has a previously imported user LUT.

Visual consistency across stills and videos

The Log mode is also available for stills, making it possible to shoot JPEG and HEIF still images with the S-Log3 gamma curve used during a video shoot, so the same workflow can be easily applied during post production. Transform your stills in editing applications such as Blackmagic DaVinci Resolve, ready for a variety of uses while maintaining the same look.

Operability for professional filmmaking

The FX2 is designed for maximum operability during professional use, supporting a smooth workflow throughout production.

Tiltable high-definition electronic viewfinder

Keep focused on shooting even in bright or distracting environments, thanks to an OLED viewfinder with approximately 3.68 million dots. Magnification is 0.70x (50mm lens, infinity focus, -1m-1 diopter), and the angle of view and eyepoint are optimized for video recording. The viewfinder itself can be rotated from 0 ° to +90° for easy viewing at just about any angle, and the eye cup can be removed or reversed left-to-right as necessary.

Frequently used parameters all in one place

The FX2 inherits the BIG6 (Home) screen from high-end CineAlta cameras such as VENICE, which allows you to easily monitor six essential parameters in MOVIE mode: FPS (frame rate), ISO, Shutter (speed/angle), Aperture or ND Filter, Look, and White Balance. The BIG6 (Home) screen contributes to smooth, intuitive operation, and provides quick access to Variable/Fixed parameters.

Effective heat management

Enjoy uninterrupted video recording time for formats up to 4K 59.94p. Heat buildup is prevented through a combination of an internal cooling fan, a highly thermal conductive graphite material used in the image stabilization unit, and an innovative design that allows ample air intake even when the LCD monitor is closed. The cooling fan has three modes that can be selected according to shooting conditions: Auto, Minimum, and Off while Recording.

Plenty of power for long shoots

A high-capacity NP-FZ100 battery and effective power management provide up to 100 minutes of actual video time or up to 155 minutes of continuous shooting. For longer shooting times, continuous power can be supplied from a power adaptor or a mobile battery that supports USB Power Delivery (PD). The optional DC-C1 DC Coupler can supply stable power without occupying the camera’s USB Type-C® terminal.

Digital audio without degradation

With an XLR Handle Unit XLR-H1 attached, the FX2 can record high-quality audio via two XLR connectors and a digital audio interface without the need for extra batteries or cables. Microphones equipped with XLR connectors are available separately. Four-channel audio, 24-bit recording, and other settings can be easily applied.

Easy live streaming

The FX2 is also a great choice for live streaming to a computer via USB (UVC/UAC) or a wireless or wired LAN30 network. You can stream up to 4K (3840 x 2160) 59.94p video via LAN while simultaneously recording to the camera’s memory card. LAN streaming protocols include RTMP, RTMPS, and SRT.

CFexpress Type A memory card support

Two card slots support SDXC/SDHC UHS-II/UHS-I memory cards, with one also supporting CFexpress Type A32 cards, giving you plenty of options for stable and reliable high-bitrate recording. Select the recording mode to suit your needs: video and stills can be recorded to different cards, recording can be automatically switched to a second card when the first is full, and more.

4:2:2 10-bit or 16-bit RAW output via HDMI

An HDMI Type-A terminal enables 4K 60p (59.94p) 4:2:2 10-bit or 16-bit RAW video output to an external recorder for flexible post production. 16-bit RAW video is output31 at 4672 x 2628 resolution (16:9 aspect ratio), which also covers DCI-4K (4096 x 2160), with selectable [59.94p]/[29.97p]/[23.98p]/[24.00p] frame rates. Video output via HDMI can occur simultaneously with proxy recording to an internal memory card.

Monitor & Control

Sony’s Monitor & Control app not only allows intuitive remote operation and image monitoring on a smartphone or tablet screen but also provides waveform and other displays for exposure confirmation and precise focusing. Multi-monitoring is available when multiple cameras are wirelessly connected to a single iPad. All of this can contribute to smoother workflows with a minimal crew.

Catalyst Browse, Catalyst Prepare/Plugin

The Catalyst Browse and Catalyst Prepare apps allow convenient editing of video recorded in Log mode with embedded LUTs. Shot marks and OK/NG/KEEP flags added while recording can also be imported for easier shot selection. Image stabilization, breathing compensation, rolling shutter, and other metadata embedded while recording can be used to make precise corrections during post production.

Creators' Cloud platform

Creators' Cloud is a platform that supports creative work from shooting to production by combining Sony's advanced camera technology and the cloud. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps for efficient solutions that integrate cameras with shooting and production apps and services.

Cloud Upload (camera direct)

Recorded files can be directly uploaded to Creators’ Cloud storage from the camera without having to transfer via a smartphone or other device. Once in the Creators’ Cloud, data can be transferred to other cloud services such as Google Drive™ or Adobe Lightroom to suit your workflow.

Environmentally conscious

The RMT-VP2 remote commander front panel provides convenient controls including shutter, MOVIE (record), AF-ON, C1 and zoom/focus buttons, letting you shoot video or still images with ease. If you pre-assign a frequently used function to the camera’s AF-ON or C1 button, pressing the corresponding button on the remote commander provides the same function, allowing you to customize the controls to suit your shooting requirements.

Non-plastic packaging materials

Sony is working towards the use of non-plastic packaging materials that provide ample protection against shock and impact. Plant-based non-woven fabrics are used for product bags, further reducing the use of plastics and minimizing environmental stress.

Greater accessibility for all users

Accessibility features, such as a menu magnifier and a screen reader that reads an expanded range of menu items aloud, make it easier for everyone to enjoy digital imaging. Advanced features, like AI-based Real-time Recognition AF for a wide range of subjects, intuitive touch operation for subject tracking, and many more make the joys of photography and moviemaking available to the widest possible range of users.

Product Specification:

Recording system (still image)

Image Size (pixels) [3:2]

35mm full frame L: 7008 x 4672 (33 M), M: 4608 x 3072 (14 M), S: 3504 x 2336 (8.2 M)

Image Quality Modes

RAW, JPEG, HEIF (4:2:0 / 4:2:2), RAW & JPEG, RAW & HEIF

14bit RAW

Yes

Recording Format (Still Image)

JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 5.0 format compliant)

Recording system (movie)

Video Compression

XAVC HS: MPEG-H HEVC/H.265, XAVC S: MPEG-4 AVC/H.264

Audio Recording Format

LPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24 bit), LPCM 4ch (48 kHz 24 bit)
*When using accessories that support 4ch output / 24 bits with the Multi Interface Shoe.

Movie Recording Format (XAVC HS 4K)

3840 x 2160 (4:2:0, 10bit) (Approx.)

59.94p (150 Mbps / 75 Mbps / 45 Mbps), 23.98p (100 Mbps / 50 Mbps / 30 Mbps), 50p (150 Mbps / 75 Mbps / 45 Mbps)

3840 x 2160 (4:2:2, 10bit) (Approx.)

59.94p (200 Mbps / 100 Mbps), 23.98p (100 Mbps / 50 Mbps), 50p (200 Mbps / 100 Mbps)

Movie Recording Format (XAVC S 4K)

3840 x 2160 (4:2:0, 8bit) (Approx.)

59.94p (150 Mbps), 29.97p (100 Mbps / 60 Mbps), 23.98p (100 Mbps / 60 Mbps), 50p (150 Mbps), 25p (100 Mbps / 60 Mbps)

3840 x 2160 (4:2:2, 10bit) (Approx.)

59.94p (200 Mbps), 29.97p (140 Mbps), 23.98p (100 Mbps), 50p (200 Mbps), 25p (140 Mbps)

Movie Recording Format (XAVC S HD)

1920 x 1080 (4:2:0, 8bit) (Approx.)

119.88p (100 Mbps / 60 Mbps), 59.94p (50 Mbps / 25 Mbps), 29.97p (50 Mbps / 16 Mbps), 23.98p (50 Mbps), 100p (100 Mbps / 60 Mbps), 50p (50 Mbps / 25 Mbps), 25p (50 Mbps / 16 Mbps)

1920 x 1080 (4:2:2, 10bit) (Approx.)

59.94p (50 Mbps), 29.97p (50 Mbps), 23.98p (50 Mbps), 50p (50 Mbps), 25p (50 Mbps)

Movie Recording Format (XAVC S-I 4K)

3840 x 2160 (4:2:2, 10bit) (Approx.)

59.94p (600 Mbps), 29.97p (300 Mbps), 23.98p (240 Mbps), 50p (500 Mbps), 25p (250 Mbps)

Movie Recording Format (XAVC S-I DCI4K)

4096 x 2160 (4:2:2, 10bit) (Approx.)

59.94p (600 Mbps), 29.97p (300 Mbps), 23.98p (240 Mbps), 50p (500 Mbps), 25p (250 Mbps), 24.00p (240 Mbps)

Movie Recording Format (XAVC S-I HD)

1920 x 1080 (4:2:2, 10bit) (Approx.)

59.94p (222 Mbps), 29.97p (111 Mbps), 23.98p (89 Mbps), 50p (185 Mbps), 25p (93 Mbps)

Movie function

Proxy Recording

Yes

TC/UB

Yes

RAW Output

Yes (HDMI)

Slow & Quick Motion (S&Q)

Yes

Memory Card Slot

Memory Card Slot

SLOT1: Multi slot for SD (UHS-I/II compliant) memory card / CFexpress 2 Type A card, SLOT2: SD (UHS-I/II compliant) memory card

Focus system

type

Fast Hybrid AF (phase-detection AF / contrast-detection AF)

FOCUS POINT

Still images: Max. 759 points (phase-detection AF), Movies: Max. 627 points (phase-detection AF)

SENSITIVITY RANGE

EV-4 to EV20 (ISO100 equivalent with F2.0 lens attached)

Other Features

AF Track Sens. (Still), AF Subj. Shift Sensitivity (Movie), AF Transition Speed (Movie), Switch V/H AF Area, AF Area Regist., Circ. of Focus Point, Focus Map (Movie), AF Assist (Movie)

Recognition Target (Still images)

Auto, Human, Animal, Bird, Insect, Car, Train, Airplane

Recognition Target (Movies)

Auto, Human, Animal, Bird, Insect, Car, Train, Airplane

Exposure control

METERING SENSITIVITY

EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)

Metering Type

1200-zone evaluative metering

Exposure Compensation

+/- 5.0 EV (1/3 EV, 1/2 EV steps selectable)

Anti-Flicker Shoot.

Yes
*Anti-flicker Shooting is not available when the [Shutter Type] setting is set to [Electronic Shutter].

ISO Sensitivity

Still images: ISO 100 - 51200 (expandable to ISO 50 - 204800), AUTO (ISO 100 - 12800, selectable lower limit and upper limit) Movies: ISO 100 - 51200 equivalent (expandable to ISO 102400), AUTO (ISO 100 - 12800, selectable lower limit and upper limit)

Viewfinder

Diopter adjustment

-4.0-+3.0 m-1

type

1.3 cm (0.5 type) electronic viewfinder (Quad-VGA OLED)

Magnification

Approx. 0.70x (with 50 mm lens at infinity, -1 m-1)

Eye Point

Approx. 33 mm from the eyepiece lens, 27 mm from the eyepiece frame at -1 m-1 (CIPA standard)

Number of Dots

3 686 400 dots

Finder Frame Rate Selection

STD 60fps / HI 120fps

LCD Screen

Touch Panel

Yes

Adjustable Angle

Opening Angle: Approx. 176 °, Rotation Angle: Approx. 270 °

type

7.5 cm (3.0-type) type TFT

Number of dots (total)

1 036 800 dots

Clear Image Zoom

Still images

Approx. 2x

Movies

Approx. 1.5x (4K), Approx. 2x (HD)

Shutter

Shutter Type

Mechanical shutter / Electronic shutter

SHUTTER SPEED

Still images (Mechanical shutter): 1/4000 to 30 s, Bulb, Still images (Electronic shutter): 1/8000 to 30 s, Movies: 1/8000 to 1 s

Flash Sync. Speed

1/160 s (35mm full frame), 1/200 s (APS-C)
*With compatible Sony external flash.

Electronic Front Shutter Curtain

Yes

USB Streaming

VIDEO DATA FORMAT

MJPEG, YUV420 *When [Resolution] is set to [HD(720p)], [MJPEG] is only available.

Video Resolution

3840 x 2160 (14.99p / 29.97p), 1920 x 1080 (29.97p / 59.94p), 1280 x 720 (29.97p), 3840 x 2160 (12.5p / 25p), 1920 x 1080 (25p / 50p), 1280 x 720 (25p)

AUDIO DATA FORMAT

LPCM 2ch (16bit 48 kHz)

Network Streaming

Video Resolution

3840 x 2160 (29.97p / 59.94p), 3840 x 2160 (25p / 50p), 2560 x 1440 (29.97p / 59.94p), 2560 x 1440 (25p / 50p), 1920 x 1080 (29.97p / 59.94p), 1920 x 1080 (25p / 50p), 1280 x 720 (29.97p / 59.94p), 1280 x 720 (25p / 50p)

VIDEO DATA FORMAT

MPEG-4 AVC/H.264, MPEG-H HEVC/H.265 *When [Protocol] is set to [RTMP/RTMPS], [MPEG-4 AVC/H.264] is only available.

AUDIO DATA FORMAT

AAC-LC 2ch (16bit 48 kHz)

PROTOCOL

RTMP, RTMPS, SRT

Lens Compensation

LENS COMPENSATION

Shading, Chromatic Aberration, Distortion, Breathing (Movie)

Power Consumption

With Viewfinder

Still images: Approx. 4.2 W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: Approx. 6.6 W (with FE 28-70mm F3.5-5.6 OSS lens attached)

With LCD screen

Still images: Approx. 3.8 W (with FE 28-70mm F3.5-5.6 OSS lens attached) Movies: Approx. 6.3 W (with FE 28-70mm F3.5-5.6 OSS lens attached)

Weight

Body only

Approx. 594 g

Body only (oz.)

Approx. 1 lb 5.0 oz

With battery and memory card

Approx. 679 g

With battery and memory card (oz.)

Approx. 1 lb 8.0 oz

Including Accessory

Approx. 683 g (battery pack, SD card, Eyepiece cup)

Dimensions (W x H x D)

Dimensions (W x H x D)

Approx. 129.7 x 77.8 x 103.7 mm, Approx. 129.7 x 77.8 x 85.0 mm (from grip to monitor)

Dimensions (W x H x D) (in.)

Approx. 5 1/8 x 3 1/8 x 4 1/8 inches, Approx. 5 1/8 x 3 1/8 x 3 3/8 inches (from grip to monitor)

Operation

Operating Temperature

0 - 40 ℃ / 32 - 104 °F

Storage Temperature

-20 to 55 ℃ / -4 to 131 °F

Image Stabilization

type

Image sensor-shift mechanism with 5-axis compensation (compensation depends on lens specifications)

COMPENSATION EFFECT (STILL IMAGES)

Center 5.0 stops and Periphery 5.0 stops (based on CIPA2024 standard. Pitch/yaw/roll shake only. With FE 50 mm F1.2 GM lens mounted. Long exposure NR off.)

Mode

Still images: On / Off, Movie: Dynamic active / Active / Standard / Off

Audio

Microphone

Built-in, stereo

Speaker

Built-in, monaural

Camera Section

Number of Pixels (Effective)

Still images: Approx. 33.0 megapixels max.
Movies: Approx. 27.6 megapixels max.
*Number of effective pixels varies depending on attached lenses and camera settings.

Number of Pixels (total)

Approx. 34.1 megapixels

LATITUDE

15+ stops (S-Log3)

type

35mm full frame (35.9 x 23.9 mm), Exmor R CMOS sensor

Optical Low Pass Filter

Yes

Color Temperature Range

2500 K - 9900 K

Anti-Dust function

Yes

Interface

HDMI OUTPUT

HDMI connector (Type-A), 4096 x 2160 (59.94p / 50p / 29.97p / 25p / 24.00p / 23.98p) / 3840 x 2160 (59.94p / 50p / 29.97p / 25p / 23.98p) / 1920 x 1080 (59.94p / 50p / 23.98p) / 1920 x 1080 (59.94i / 50i), YCbCr 4:2:2 10bit / RGB 8bit, 4672 x 2628 (59.94p / 50p / 29.97p / 25p / 24.00p / 23.98p), Raw 16bit

Multi Interface Shoe

Yes (with Digital Audio Interface)
*Sony accessories for the Accessory Shoe can be attached.

PC Interface

Mass-storage / MTP

Multi / Micro USB Terminal

Yes
*Supports Micro USB compatible device.

Wireless LAN (Built-In)

Yes (Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac (2.4 GHz band/5 GHz band))
*(Configuration method/Access method) WPS or manually /infrastructure mode. When connecting to smartphones, the camera can always work as a base without a wireless access point. (Security: WEP/WPA-PSK/WPA2-PSK/WPA3-SAE)
**Models sold in some countries/regions support IEEE 802.11b/g/n (2.4GHz) wireless LAN only.

Bluetooth

Yes (Bluetooth Standard Ver. 5.0 (2.4 GHz band))

Mic Terminal

Yes (3.5 mm Stereo minijack)

Headphone Terminal

Yes (3.5 mm Stereo minijack)

Remote Control (Wireless)

Yes (Bluetooth remote control)

USB Type-C® Terminal

Yes (SuperSpeed USB 10 Gbps (USB 3.2) compatible)

Functions

Send to smartphone, Remote control via smartphone, Remote Shooting

XLR Audio Input

Yes (3-pin (female) x2)

Playback

Modes

Enlarged Image, Protect, Rating, Shot Mark (Movie), Divider Frame, Crop, Photo Capture

Power

USB Power Supply

Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)

Internal Battery Charge

Yes (Available with USB Type-C terminal. USB Power Delivery compatible)
*Requires USB PD (18W min.) power supply and cable (3A min.) if charging the battery pack while it is inserted into the camera.

Battery

One rechargeable battery pack NP-FZ100

Lithium Battery

Yes

Still images

Approx. 470 shots (Viewfinder) / Approx. 520 shots (LCD monitor) (CIPA standard)
*The LCD screen is turned on, shot once every 30 seconds, flash strobe once every two times, turn power off and on once every ten times.

Movies (Actual Shooting)

Approx. 90 min (Viewfinder) / Approx. 100 min (LCD monitor) (CIPA standard)
*Indication recording time, which is defined by repeating the cycle: Power on, start recording, zoom, stand-by and power off.

Movies (Continuous Shooting)

Approx. 150 min (Viewfinder) / Approx. 155 min (LCD monitor) (CIPA standard)

Accessibility

Functions

Screen Reader, Focus Magnifier, Focus Map (Movie), Peaking Display, Subject Recognition in AF, Touch Focus, Touch Tracking, Touch Shutter Touch AE, Vari-angle LCD screen, Custom function, Enlarge Screen

Drive

NO. OF FRAME RECORDABLE (APPROX.)

JPEG Extra fine L: over 1000 frames, JPEG Fine L: over 1000 frames, JPEG Standard L: over 1000 frames, RAW: over 1000 frames, RAW & JPEG: over 1000 frames RAW (Uncompressed): over 1000 frames, RAW (Uncompressed) & JPEG: over 1000 frames, RAW (Lossless Compressed): over 1000 frames, RAW (Lossless Compressed) & JPEG: over 1000 frames
*Varies according to shooting conditions or memory card used.

Continuous Drive Speed (Approx., max.)

Hi+: 10 fps
*Varies according to shooting conditions or memory card used.

General

CAMERA TYPE

Interchangeable lens digital camera

Lens mount

E-mount

Supplied Accessories

Supplied Accessory

Rechargeable Battery NP-FZ100, Body cap, Accessory shoe cap, Eyepiece cup, XLR handle unit Handle shoe cap