Sony Cinema Line FX30 Super 35 Camera Body Kit + XLR Top Handle Unit Filmmaker Bundle
Sony Cinema Line FX30 Super 35 Camera Body Kit + XLR Top Handle Unit Filmmaker Bundle
$2,198.00
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Pickup available at 80 Carter Drive
Usually ready in 24 hours
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What's In The Box
- CAMERA INCLUDES:
- Sony Cinema Line FX30 Super 35 Camera Body - ILME-FX30
- Sony XLR Top Handle Unit with a variety of inputs (XLR, TRS, 3.5mm) and extensive controls
- Rechargeable Battery NP-FZ100
- USB Battery Charger AC-UUD12
- Body Cap
- MI Accessory Shoe Cap
- USB-A to USB-C Cable (USB 3.2)
- Sony USA Authorized Dealer Warranty
- BUNDLE INCLUDES:
- Deco Gear Photo and Video Photography Travel Case for Cameras Lenses and Accessories
- 50" Adjustable & Folding Professional Full Size Tripod
- Replacement Compatible Rechargeable Battery for NP-FZ100
- External Dual Battery Charger Compatible with NP-FZ100 Batteries
- Lexar 128GB 800x SDXC UHS-I Memory Card
- 12 Inch Tabletop Vlogging Tripod/Handheld Grip 2 in 1
- Photo and Video Editing Software Suite PC Digital Downloads:
- piZap PRO
- Ashampoo Photo Commander 16
- Ashampoo Photo Optimizer 7
- GRFX Studio Pro
- PixTeller Lifetime 1-User
- Vegas Movie Studio 16
- Pro Dust Blower
- Lens/Sensor Brush Pen
- LCD Screen Protectors
- Pack of 2 Microfiber Cloths
- Lens Cap Keeper
- SD Memory Card Reader
- SD Memory Card Storage Case
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Small items such as memory cards may be shipped by the Post Office.
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BTC Beach Camera Returns
80 Carter Drive
Edison, NJ 08817
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Please be sure to save the shipment tracking number for your return. Merchandise lost or damaged during shipping is the shipper's responsibility.
Televisions over 65" must be returned via one of our Home Delivery Partners. Please contact us to schedule a pickup for your large TV return.
If your return is not the result of our error, the return shipping costs are the responsibility of the customer.
Television Returns
Buyer's Remorse for TVs in Brand New condition:
If you are not 100% satisfied with your TV purchase, you may return it within 30 days from delivery for a full refund, less return shipping fees. Please note that a 15% restocking fee may apply. All returned TVs must be in their original box and include all packing material, manuals, and accessories.
Damages:
We're here to help!
For Common Deliveries (FedEx, UPS):
Please inspect the TV and report any damages (e.g. cracked screen, scratches, dents, etc.) within 2 days by contacting us at 1.800.572.3224
For Special Handling/Freight deliveries:
Please open and inspect the TV prior to signing for it. If the TV is cracked or damaged, please refuse delivery and contact us immediately at 1.800.572.3224 .
Please note damage claims will be denied for the following:
- TVs with over 60 minutes of recorded usage
- TVs that have been moved from the original delivery address
All damage claims must be made within two (2) days of delivery. We will issue a refund and cover all shipping costs.
Manufacturer Defects:
Your TV is fully covered under your in-home one year Manufacturer's Warranty service. If any further assistance is needed, please contact us. *Open-Box units are covered under our in-house 90 day warranty.
Drones Returns
All defects can be handled under the manufacturer's warranty. For DJI brand drones, call DJI at 818-235-0789 and obtain a case number for the defect prior to requesting an RMA. Please note only Dead on Arrival units out of the box will be returnable to us (with a valid case number). DJI will NOT authorize any returns to us if there are any signs of use like dirt, grass stains, nicks or any signs of use. For these situations, the Return Authorization would need to be handled directly between the customer & DJI
Exceptions
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Defective Items
An item that was discovered to be defective upon receipt can be replaced or returned for a full refund.
Damage or Missing Items
Claims for items damaged in transit or missing items must be received within two business days of receipt of the shipment.
Replacement
We will send a product replacement after the authorized return has completed our receiving/inspection process. The replacement will ship within four business days following the receipt of your return. Please allow for additional processing time after holidays.
Although it is our goal to ship a replacement as quickly as possible, a replacement cannot be shipped before we receive and inspect the return. To receive a replacement more quickly, you may place a new order for the same item (shipping not included) and we will issue a refund for the full value of the returned product (including shipping) upon completion of our return process.
Product Description
Leap into the world of filmmaking
The FX30 captures stunning images with 6K oversampling and a true cinematic look. Its compact size lets you take it anywhere, and sophisticated AF and stabilization makes advanced filmmaking more accessible than ever.
Product Highlights:
20.1 MP1 Exmor R™ APS-C (Super 35mm format) image sensor with wide dynamic range
S-CinetoneTM for a cinematic look straight out of the camera without grading
Flexible ISO, Cine EI Quick and Cine EI Log shooting modes for optimized image quality
Log recording for smooth cinematic image quality when color grading
Dependable, accurate autofocus with Real-time Eye and Real-time Tracking AF
Image stabilization Active Mode supports handheld movie shooting
Extensive recording formats for high image quality and advanced post-production
Creative slow-motion options with up to 4K (QFHD) 120p with autofocus
4K 16-bit RAW output10 from HDMI terminal for compatible external recorders
A selection of Creative Looks to create interesting moods right in the camera
Uninterrupted 4K 60p recording with cooling fan ventilation
XLR handle unit for high-quality external audio input
Flexible, high-resolution touch-panel LCD monitor
Dual card slots, both compatible with CFexpress Type A and SDXC/SDHC
Compact, lightweight body designed for mobility
Dust and moisture resistant design to handle challenging environments
Product Features:
Support for filmmaking
The FX30 captures stunning images with 6K oversampling and a true cinematic look. Its compact size lets you take it anywhere, and sophisticated AF and stabilization features let you concentrate on composition, not the complexity of crews and rigging.
Designed for visual storytelling
The FX30's S-Cinetone picture profile gives you a beautiful cinematic look straight out of the camera. Features like Dual Base ISO and Cine EI are designed to provide gorgeous images for cinematic shooting and workflow.
Drawing on the Cinema Line heritage
Film industry experience allied with state-of-the-art imaging technology. The outstanding Cinema Line series of cinema cameras is built on decades of experience in the film industry and supported by Sony's sophisticated new technologies on the cutting edge of digital imaging.
Beautiful imagery
Advanced technology for outstanding resolution. The FX30's back-illuminated Exmor™ R APS-C CMOS sensor captures memorable Super 35mm imagery with outstanding resolution and shallow depth of field. 6K oversampling compresses a vast amount of information into 4K recording and output, and the BIONZ XR™ processing engine enables natural gradations, realistic color reproduction, low noise, and other image quality improvements.
S-Cinetone gives you a cinematic look without grading
The S-Cinetone picture profile provides cinematic-looking color, skin tones and other visual aspects straight out of the camera, without the need for any post-production color grading.
Infinite possibilities of expression with S-Log3
For production color matching, and to access the full capabilities of the image sensor, the FX30 can shoot with an S-Log3 gamma curve. This gives you access to the FX30's expansive color gamut and 14+ stops latitude, for true cinematic image quality during post-production color grading.
User LUTs provide an accurate image preview
Customizable LUTs, both preset and user-supplied, can be applied to the FX30's LCD monitor display, recorded footage, and HDMI output to give you a better and more accurate idea of what your final image will look like.
10-bit 4:2:2 recording for greater editing latitude
The FX30 can record 10-bit 4:2:2 video internally when using Long GOP or All-Intra compression, providing more color information so you can produce fuller, more natural gradations in post-production.
Cine EI, Cine EI Quick, and Flexible ISO modes
Flexible exposure mode handling. Cine EI2 offers wide latitude and the highest possible image quality, while Cine EI Quick2 simplifies setup by automatically selecting the camera's base ISO. Flexible ISO provides the greatest flexibility for exposure settings.
Dual Base ISO (ISO800 / ISO2500)
With this feature you can manually set your base ISO to 2500 instead of 800 in low-light situations. Noise levels at both settings are about the same, so this gives you cleaner footage in low light.
Slow-motion images at up to 120 frames per second
With 4K recording at up to 120 frames per second with autofocus, you can create extraordinarily smooth 5x (max.) slow-motion imagery to expand your storytelling options.
Reliable AF maintains a steady focus
Sophisticated tracking features let you concentrate on your shoot. The FX30 provides stable AF and flexible focusing for a wide range of shooting situations. Wide-area AF provides tenacious subject tracking across almost the entire frame, with Real-time Tracking based on Sony's unique, AI-based subject recognition. Real-time Eye AF ensures precise focus on the face and eyes, tailored to humans, birds and animals.
In-body image stabilization for hand-held shooting
Active Mode is a 5-axis image stabilization mode that uses a precision gyroscope sensor and optical compensation, enabling hand-held shooting at 4K resolution without a gimbal.
Compensation for focus breathing
In-camera Focus Breathing Compensation, when used with compatible lenses, provides more stable imagery by minimizing the field-of-view shift that can occur when racking focus. Additional breathing compensation is also available in post-production software, supported by camera metadata.
Ready to go wherever you shoot
Compact and light in weight, the FX30 can be operated in combination with gimbals and drones, or with a variety of attached equipment. It's designed to withstand long shoots, with sturdy construction suited to harsh conditions.
Compact, lightweight body
Designed for mobility and comfortable operation. Weighing in at 1 lb 6.8 oz (646 g) with battery and memory card and 2 lb 1.5 oz (951 g) with the XLR handle unit, the FX30 features a distinctive flat-top design that's suitable for either handheld shooting or gimbal mounting. The camera grip has been designed to provide optimum flexibility, stability, and comfort for extended handheld shooting sessions.
New main menu
Quick access to frequently used features. While shooting, you can access frame rate10, shutter speed, and other essential shooting parameters via a list-style main menu. Display of the main menu can be assigned to a custom button so that parameters can be quickly checked and edited as needed prior to shooting. Separate main menus optimized for movies and stills are provided.
Two CFexpress Type A and SD card compatible media slots
CFexpress Type A is the next standard for compact storage, with fast write/read speeds suitable for 4K movie recording at high bit rates. Dual slots enable either relay or simultaneous recording.
Flexible high-resolution touch-panel LCD monitor
A side-opening vari-angle rear monitor allows broad positioning and framing freedom. It's bright enough for easy outdoor daytime viewing, and it incorporates a swipe-to-access function menu.
Broad connectivity in a compact body
An HDMI Type-A connector can be used for external recorders and display devices. Other connectors include USB Type-C®, Multi/Micro-USB, mic, headphone, and a Multi Interface Shoe with built-in digital audio interface.
16-bit RAW output via HDMI
For demanding workflows, 16-bit RAW output is available over HDMI connection to compatible external recorders. RAW video output is 4672 x 2628 [16:9] resolution, exceeding DCI-4K resolution.
Expandable to meet your needs
Whether it's finding the perfect lens for your shoot, choosing the best external audio source or accommodating post-production workflow requirements, the FX30 has you covered.
Product Specifications:
Battery Operating Time
Actual recording, CIPA standard - Approx. 115 min
Continuous recording, CIPA standard - Approx. 175 min
Still image, CIPA standard - Approx. 570 shots
Size & Weight (Approx.)
Weight (main unit only) - 646 g (1 lb 6.8 oz) (with battery and memory card included), 562 g (1 lb 3.8 oz) (body only)
Weight (including supplied accessories) - 951 g (2 lb 1.5 oz) (with XLR Handle, battery and memory card included)
Dimensions (W x H x D) - 129.7 mm x 77.8 mm x 84.5 mm (5 1/8 x 3 1/8 x 3 3/8 inches) (body without protrusions)
Operation
Operating Temperature - -20 to +55 degrees C
Storage Temperature - -20 to +55 degrees C
Recording Frame Rate (Video)
XAVC S-I 4K - 3840x2160/59.94p, 50p, 29.97p, 25p, 23.98p
XAVC S-I HD - 1920x1080/59.94p, 50p, 29.97p, 25p, 23.98p
XAVC S 4K - 3840x2160/119.88p,100p,59.94p, 50p, 29.97p, 25p, 23.98p
XAVC S HD - 1920x1080/119.88p,100p,59.94p, 50p, 29.97p, 25p, 23.98p
XAVC HS 4K - 3840x2160/119.88p,100p,59.94p, 50p, 23.98p
Recording/Playback Time (Video)
XAVC S-I 4K - XAVC S-I 4K 59.94p: When using CEA-G160T (160 GB) Approx. 25 minutes, When using CEA-G80T (80 GB) Approx. 10 minutes, XAVC S-I 4K 50p: When using CEA-G160T (160 GB) Approx. 35 minutes, When using CEA-G80T (80 GB) Approx. 15 minutes
XAVC S-I HD - XAVC S-I HD 59.94p: When using CEA-G160T (160 GB) Approx. 75 minutes, When using CEA-G80T (80 GB) Approx. 35 minutes, XAVC S-I HD 50p: When using CEA-G160T (160 GB) Approx. 90 minutes, When using CEA-G80T (80 GB) Approx. 40 minutes
XAVC S 4K - XAVC S 4K 59.94p/50p 200M: When using CEA-G160T (160 GB) Approx. 80 minutes, When using CEA-G80T (80 GB) Approx. 40 minutes, XAVC S 4K 59.94p/50p 150M: When using CEA-G160T (160 GB) Approx. 100 minutes, When using CEA-G80T (80 GB) Approx. 50 minutes
XAVC S HD - XAVC S HD 59.94p/50p 50M: When using CEA-G160T (160 GB) Approx. 270 minutes, When using CEA-G80T (80 GB) Approx. 130 minutes, XAVC S HD 59.94p/50p 25M: When using CEA-G160T (160 GB) Approx. 430 minutes, When using CEA-G80T (80 GB) Approx. 210 minutes
XAVC HS 4K - XAVC HS 4K 59.94p/50p 200M: When using CEA-G160T (160 GB) Approx. 80 minutes, When using CEA-G80T (80 GB) Approx. 40 minutes, XAVC HS 4K 59.94p/50p 150M: When using CEA-G160T (160 GB) Approx. 100 minutes, When using CEA-G80T (80 GB) Approx. 50 minutes, XAVC HS 4K 59.94p/50p 100M: When using CEA-G160T (160 GB) Approx. 150 minutes, When using CEA-G80T (80 GB) Approx. 75 minutes, XAVC HS 4K 59.94p/50p 75M: When using CEA-G160T (160 GB) Approx. 190 minutes, When using CEA-G80T (80 GB) Approx. 95 minutes, XAVC HS 4K 59.94p/50p 45M: When using CEA-G160T (160 GB) Approx. 290 minutes, When using CEA-G80T (80 GB) Approx. 140 minutes
Recording Format (Proxy Audio)
XAVC Proxy - AAC-LC, 128 kbps, 2 ch
Recording Format (Proxy Video)
XAVC HS HD - MPEG-H HEVC/H.265 1920x1080 4:2:0 10 bit 16 Mbps 1920x1080 4:2:0 10 bit 9 Mbps
XAVC S HD - MPEG-4 AVC/H.264 1280x720 4:2:0 8 bit 6 Mbps
Other Video Function
Video Functions - Audio Level Display, Audio Rec Level, TC/UB, Creative Look, Gamma Display Assist, PAL/NTSC Selector
Recording (Still)
Recording Format - JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)
Image Size (pixels) [3:2] - L: 6192 x 4128 (26M), M: 4384 x 2920 (13M), S: 3104 x 2064 (6.4M)
Image size (pixels) [4:3] - L: 5504 x 4128 (23M), M: 3888 x 2920 (11M), S: 2752 x 2064 (5.7M)
Image Size (pixels) [16:9] - L: 6192 x 3480 (22M), M: 4384 x 2464 (11M), S: 3104 x 1744 (5.4M)
Image size (pixels) [1:1] - L: 4128 x 4128 (17M), M: 2912 x 2912 (8.5M), S: 2064 x 2064 (4.3M)
Camera Section
Shutter Speed - [Movie] 1/8000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode), [Still image] 1/8000 to 30 sec
Imaging Device (Type) - APS-C type (23.3 x 15.5 mm), Exmor R CMOS sensor
Number of Pixels (Effective) - Movie: Approx. 20.1 megapixels, Still image: Approx. 26.0 megapixels
Number of Pixels (total) - Approx. 27.0 megapixels
ISO Sensitivity - [Movie] ISO 100-32000 equivalent , AUTO (ISO 100-6400, selectable lower limit and upper limit), [Still image] ISO 100-32000 (Expandable to ISO 50- 102400), AUTO (ISO 100-6400, selectable lower limit and upper limit)
Slow and Quick Motion Function - [XAVC S-I HD / XAVC S HD]NTSC mode: 1fps,2fps,4fps,8fps,15fps,30fps,60fps,120fps,240fps, PAL mode: 1fps,2fps,3fps,6fps,12fps,25fps,50fps,100fps,200fps
White Balance - Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom
Gamma Curve - Off / PP1-PP6 / PP10-PP11, Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset
Latitude - 14+ stop (S-Log3)
Focus system
Type - Fast Hybrid AF (phase-detection AF / contrast-detection AF)
Focus Point - Movie: 495 points (phase-detection AF), Still image: 759 points (phase-detection AF)
Sensativity Range - EV-3 to EV20 (ISO100 equivalent with F2.0 lens attached)
Focus Mode - Movie: AF-C (Continuous AF), Manual Focus, Still image: AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus
Focus Area - Movie: Wide / Zone / Center Fix / Spot / Expand Spot, Still image: Wide / Zone / Center Fix / Spot / Expand Spot / Tracking
Other Focus Features - Focus Magnifier (APS-C: 6.1x / 12.1x)
Exposure control
Metering Sensativity - EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)
Exposure Modes - Movie: Programmed AE (P) / Aperture priority (A) / Shutter priority (S) / Manual Exposure (M) / Flexible Exp. Mode, Still images: Intelligent Auto (Auto) / Program Auto (P) / Aperture priority (A) / Shutter priority (S) / Manual Exposure (M)
Monitoring
LCD - Opening Angle:Approx. 176 °, Rotation Angle:Approx. 270 °
Built-in Microphone
Built-in Microphone - Built-in, stereo
File System
File System - FAT12, 16, 32, exFAT
Zoom Function
Clear Image Zoom - Movie: Approx. 1.5x (4K), Approx. 2x (HD), Still image: L: Approx. 2x, M: Approx. 2.8x, S: Approx. 4x
Digital Zoom - Movie: Approx. 4x Still Image: L: Approx. 4x, M: Aapprox. 5.7x, S: Approx. 8x
Smart Zoom - Still Image: M: Approx. 1.4x, S: Approx. 2x
Still image function
Shutter - Electronic shutter
Drive Modes - Single Shooting, Self-timer, Bracket: Single, White Balance bracket, DRO bracket
Noise Reduction - High ISO NR: Normal / Low / Off
Other Still Image Function - Anti-flicker Set
Custom function
Custom Function - Custom key settings, My Menu, My Dial Settings, Reg. Custom Shoot Set
Lens Compensation
Lens Compensation - Peripheral Shading, Chromatic Aberration, Distortion
Wi-Fi/NFC
Supported Format - IEEE 802.11a/b/g/n/ac
Frequency Band - 2.4 GHz band/5 GHz band
Security - WEP/WPA-PSK/WPA2-PSK
FTP Transfer
FTP Transfer - Wired LAN (USB-LAN), USB Tethering, Wi-Fi
RAW Output
HDMI - 4672 x 2628 (59.94p, 50p, 29.97p, 25p, 23.98p), 16bit
Media
Type - CFexpress Type A / SD card (x2), Simult. Rec, Sort, Auto Switch Media, Copy
Image Stabilization
Type - Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)
Mode - Movie: Active / Standard / Off, Still image: On / Off
Compensation Effect (Still Images) - 5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50mm F1.4 ZA lens mounted.)
Accessibility
Screen Reader - Yes (Language: English, Speed: 7 steps, Volume: 16 steps)
Zoom
Zoom Function - Zoom ring rotate
Recording Format (Video)
XAVC S-I 4K - XAVC S-I 4K 59.94p: 600 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I 4K 50p: 500 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I 4K 29.97p: 300 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I 4K 25p: 250 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I 4K 23.98p: 240 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264
XAVC S-I HD - XAVC S-I HD 59.94p: 222 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I HD 50p: 185 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I HD 29.97p: 111 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I HD 25p: 93 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I HD 23.98p: 89 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264
XAVC S 4K - XAVC S 4K 59.94p/50p: 200 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S 4K 59.94p/50p: 150 Mbps 4:2:0 8 bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p: 140 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S 4K 23.98p: 100 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p: 100 Mbps 4:2:0 8 bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p: 60 Mbps 4:2:0 8 bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p: 280 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p: 200 Mbps 4:2:0 8 bit MPEG-4 AVC / H.264
XAVC S HD - XAVC S HD 59.94p/50p/29.97p/25p/23.98p: 50 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p/29.97p/25p/23.98p: 50 Mbps 4:2:0 8 bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p: 25 Mbps 4:2:0 8 bit MPEG-4 AVC / H.264, XAVC HD 29.97p/25p: 16 Mbps 4:2:0 8 bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p: 100 Mbps 4:2:0 8 bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p: 60 Mbps 4:2:0 8 bit MPEG-4 AVC / H.264
XAVC HS 4K - XAVC HS 4K 59.94p/50p: 200 Mbps 4:2:2 10 bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p: 150 Mbps 4:2:0 10 bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p/23.98p: 100 Mbps 4:2:2 10 bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p: 75 Mbps 4:2:0 10 bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p: 45 Mbps 4:2:0 10 bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p: 100 Mbps 4:2:0 10 bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p: 50Mbps 4:2:2 10 bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p: 50 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p: 30 Mbps 4:2:0 10 bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p: 280 Mbps 4:2:2 10 bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p: 200 Mbps 4:2:0 10 bit MPEG-H HEVC / H.265
Recording Format (Audio) - LPCM 2 ch(48 kHz 16 bit), LPCM 2 ch(48 kHz 24 bit), LPCM 4 ch(48 kHz 24 bit)
Interface
Audio Input - 3.5 mm Stereo minijack, XLR handle: [INPUT1][INPUT2] XLR/TRS-type 3-pin(female) (x2), line/mic/mic +48 V selectable, Mic Reference -40 to -60 dBu / [INPUT3] 3.5 mm Stereo minijack
Headphone Output - 3.5 mm Stereo minijack
Speaker Output - Built-in, monaural
HDMI Output - YCbCr 4:2:2 10 bit / RGB 8 bit
Multi Interface Shoe - With Digital Audio Interface
TC Input/TC Output - Multi/Micro USB, TC IN *6 With Digital Audio Interface
USB Terminal - USB Type-C® (x1, SuperSpeed USB 10 Gbps (USB 3.2) compatible), Multi/Micro USB (x1)
Power Consumption
Movie - Approx. 5.6 W (with E PZ 18-105mm F4 OSS lens attached)
Still Image - Approx. 3.5 W (with E PZ 18-105mm F4 OSS lens attached)
Playback
Playback Functions - Index view, Folder selection (Date / Still / Movie), Photo capture, 4ch audio monitoring, Auto Review (stills), Image orientation (stills), Protect (stills), Rating (stills), Display as Group (stills)
Lens Mount
Type - E-Mount
What's In The Box
Supplied Accessories - Camera body | ILME-FX30 Rechargeable Battery | NP-FZ100 USB battery charger | AC-UUD12 Top Handle with XLR Input Module Body cap MI Accessory shoe cap Handle Shoe Cap USB-A to USB-C cable (USB 3.2)
