Free Shipping on Most U.S. Orders
Easy Returns and Exchanges
Exceptional Customer Support

Free Shipping

Free ground shipping is available to home addresses in the contiguous United States. PO Boxes, Alaska, Hawaii, US Territories (including Puerto Rico), APO/FPO and addresses outside the United States are not eligible for free shipping.

FedEx Shipping

All merchandise except for oversized items (e.g. Flat screen LED TVs over 55" and plasma TVs over 51") advertised on Beachcamera.com are usually shipped via FedEx.

All packages shipped from Beachcamera.com require a signature upon delivery. Please arrange for someone to sign for the delivery if you are unable to do so. We recommend that you provide an email address so that we may keep you informed of the status of your order and send you tracking information. You will be able to track your order online or by phone for an estimated time of arrival. FedEx will attempt to deliver your package three times before returning it to Beachcamera.com

United States Postal Service (USPS) Shipping

Small items such as memory cards may be shipped by the Post Office.

If the destination address is a PO Box or an APO/FPO, we will ship your order via USPS since FedEx is unable to deliver to those destinations. We will provide tracking information via email after your order has shipped. Items delivered to a PO Box or an APO/FPO will be delivered in 7 - 10 business days. Final delivery for APO/FPO destinations will be subject to the Terms and Conditions of the APO/FPO services. Not all items can be shipped via USPS. Some items that are shipped via USPS may be subject to an additional shipping charge. If necessary, Beachcamera.com will contact you before the order is processed.

Oversized Merchandise Shipping

Oversized merchandise (Flat screen LED TVs over 55", plasma TVs over 51", BBQ Grills & Furniture) are shipped via a motor freight carrier that specializes in Home Delivery. Since these items are large and fragile, special handling is required, and cannot be shipped via our standard shipping options.

We take every precaution during our shipping preparation process to ensure that your order arrives to you in perfect condition. Each item on your order is scanned for accuracy of model and serial number. We apply large orange fragile sticker labels to notify the carrier that your shipment is fragile and requires special handling. The labels also include important step-by-step instructions on how to inspect and sign for your shipment. In addition to the manufacturer's standard foam and corrugated packaging, we also apply a special shock absorption polyethylene material to the outer carton of every TV. This safeguard will disperse energy from impact during transit, and eliminate damage to the product itself. Our professional appointment-based delivery service allows you to open and inspect your new TV prior to signing and accepting the TV. When you purchase a TV at Beachcamera.com, you can be sure that it will arrive perfect working order, and will remain that way for a long time to come.

Non-Deliverable Addresses

We are unable to delivery to the following addresses:

- Mail box drop off locations
- Hotels and motels
- Trade Shows, Conventions, Conferences

Standard Return Policy

We want you to love the items you purchase from Beachcamera.com. If you are not satisfied with your purchase for any reason, you may return items for a full refund within 45 days, subject to the conditions below.

- Returned merchandise must be in original condition and include all factory packed accessories and paperwork (e.g. battery, charger, cords, straps, unmarked warranty card, manuals, etc.), in the original manufacturer box and packaging with UPC, barcode, and serial number intact.

- Incomplete returns will receive a reduced credit, reflecting any missing peripherals.

- The product serial number must match the serial number in our database. Beachcamera.com maintains serial number tracking.

- We require that all approved returns of computers, tablets, and similar devices have the password removed or restored to the system default.

- Return merchandise must be double-boxed with no writing on the manufacturer's box. Your Return Authorization number should be prominently displayed on the outside of the shipping box.

You must contact our customer service department to arrange a return. All returns must be shipped to the following address:

BTC Beach Camera Returns
80 Carter Drive
Edison, NJ 08817

You must include the RA number issued to you by customer service, please be sure to write this number clearly on the return box.

Please be sure to save the shipment tracking number for your return. Merchandise lost or damaged during shipping is the shipper's responsibility.

Televisions over 65" must be returned via one of our Home Delivery Partners. Please contact us to schedule a pickup for your large TV return.

If your return is not the result of our error, the return shipping costs are the responsibility of the customer.

Television Returns

Buyer's Remorse for TVs in Brand New condition:
If you are not 100% satisfied with your TV purchase, you may return it within 30 days from delivery for a full refund, less return shipping fees. Please note that a 15% restocking fee may apply. All returned TVs must be in their original box and include all packing material, manuals, and accessories.

Damages:
We're here to help!
For Common Deliveries (FedEx, UPS):
Please inspect the TV and report any damages (e.g. cracked screen, scratches, dents, etc.) within 2 days by contacting us at 1.800.572.3224

For Special Handling/Freight deliveries:
Please open and inspect the TV prior to signing for it. If the TV is cracked or damaged, please refuse delivery and contact us immediately at 1.800.572.3224 .

Please note damage claims will be denied for the following:

- TVs with over 60 minutes of recorded usage
- TVs that have been moved from the original delivery address

All damage claims must be made within two (2) days of delivery. We will issue a refund and cover all shipping costs.

Manufacturer Defects:
Your TV is fully covered under your in-home one year Manufacturer's Warranty service. If any further assistance is needed, please contact us. *Open-Box units are covered under our in-house 90 day warranty.

Drones Returns

All defects can be handled under the manufacturer's warranty. For DJI brand drones, call DJI at 818-235-0789 and obtain a case number for the defect prior to requesting an RMA. Please note only Dead on Arrival units out of the box will be returnable to us (with a valid case number). DJI will NOT authorize any returns to us if there are any signs of use like dirt, grass stains, nicks or any signs of use. For these situations, the Return Authorization would need to be handled directly between the customer & DJI

Exceptions
  • Mattresses
  • Opened or Downloadable Software
  • Consumables, including batteries, paper and ink
  • Opened packages of Apparel, Bedding or Linens
  • Used Cookwear and BBQ Grills
  • Personal Body Massagers/Shavers
  • Special order items
  • Refunds

Refunds for returns are applied to the payment method used at the time of purchase. Once we receive and inspect the product we will credit your account. Please allow 5-7 business days for a credit to appear on your account.

Product Exchanges

If you purchased a product from Beachcamera.com that you wish to exchange for an alternative, you can return the item for a full refund and simply place a new order for the item you desire. A refund credit cannot be applied to a new purchase.

Defective Items

An item that was discovered to be defective upon receipt can be replaced or returned for a full refund.

Damage or Missing Items

Claims for items damaged in transit or missing items must be received within two business days of receipt of the shipment.

Replacement

We will send a product replacement after the authorized return has completed our receiving/inspection process. The replacement will ship within four business days following the receipt of your return. Please allow for additional processing time after holidays.

Although it is our goal to ship a replacement as quickly as possible, a replacement cannot be shipped before we receive and inspect the return. To receive a replacement more quickly, you may place a new order for the same item (shipping not included) and we will issue a refund for the full value of the returned product (including shipping) upon completion of our return process.

Contact Us

+1 (800) 572-3224

Customerservice@beachcamera.com

80 Carter Drive, Edison, NJ 08817

Product Description

 

Leap into the world of filmmaking

The FX30 captures stunning images with 6K oversampling and a true cinematic look. Its compact size lets you take it anywhere, and sophisticated AF and stabilization makes advanced filmmaking more accessible than ever.

Product Highlights:

20.1 MP1 Exmor R™ APS-C (Super 35mm format) image sensor with wide dynamic range

S-CinetoneTM for a cinematic look straight out of the camera without grading

Flexible ISO, Cine EI Quick and Cine EI Log shooting modes for optimized image quality

Log recording for smooth cinematic image quality when color grading

Dependable, accurate autofocus with Real-time Eye and Real-time Tracking AF

Image stabilization Active Mode supports handheld movie shooting

Extensive recording formats for high image quality and advanced post-production

Creative slow-motion options with up to 4K (QFHD) 120p with autofocus

4K 16-bit RAW output10 from HDMI terminal for compatible external recorders

A selection of Creative Looks to create interesting moods right in the camera

Uninterrupted 4K 60p recording with cooling fan ventilation

XLR handle unit for high-quality external audio input

Flexible, high-resolution touch-panel LCD monitor

Dual card slots, both compatible with CFexpress Type A and SDXC/SDHC

Compact, lightweight body designed for mobility

Dust and moisture resistant design to handle challenging environments

Product Features:

Support for filmmaking

The FX30 captures stunning images with 6K oversampling and a true cinematic look. Its compact size lets you take it anywhere, and sophisticated AF and stabilization features let you concentrate on composition, not the complexity of crews and rigging.

Designed for visual storytelling

The FX30's S-Cinetone picture profile gives you a beautiful cinematic look straight out of the camera. Features like Dual Base ISO and Cine EI are designed to provide gorgeous images for cinematic shooting and workflow.

Drawing on the Cinema Line heritage

Film industry experience allied with state-of-the-art imaging technology. The outstanding Cinema Line series of cinema cameras is built on decades of experience in the film industry and supported by Sony's sophisticated new technologies on the cutting edge of digital imaging.

Beautiful imagery

Advanced technology for outstanding resolution. The FX30's back-illuminated Exmor™ R APS-C CMOS sensor captures memorable Super 35mm imagery with outstanding resolution and shallow depth of field. 6K oversampling compresses a vast amount of information into 4K recording and output, and the BIONZ XR™ processing engine enables natural gradations, realistic color reproduction, low noise, and other image quality improvements.

S-Cinetone gives you a cinematic look without grading

The S-Cinetone picture profile provides cinematic-looking color, skin tones and other visual aspects straight out of the camera, without the need for any post-production color grading.

Infinite possibilities of expression with S-Log3

For production color matching, and to access the full capabilities of the image sensor, the FX30 can shoot with an S-Log3 gamma curve. This gives you access to the FX30's expansive color gamut and 14+ stops latitude, for true cinematic image quality during post-production color grading.

User LUTs provide an accurate image preview

Customizable LUTs, both preset and user-supplied, can be applied to the FX30's LCD monitor display, recorded footage, and HDMI output to give you a better and more accurate idea of what your final image will look like.

10-bit 4:2:2 recording for greater editing latitude

The FX30 can record 10-bit 4:2:2 video internally when using Long GOP or All-Intra compression, providing more color information so you can produce fuller, more natural gradations in post-production.

Cine EI, Cine EI Quick, and Flexible ISO modes

Flexible exposure mode handling. Cine EI2 offers wide latitude and the highest possible image quality, while Cine EI Quick2 simplifies setup by automatically selecting the camera's base ISO. Flexible ISO provides the greatest flexibility for exposure settings.

Dual Base ISO (ISO800 / ISO2500)

With this feature you can manually set your base ISO to 2500 instead of 800 in low-light situations. Noise levels at both settings are about the same, so this gives you cleaner footage in low light.

Slow-motion images at up to 120 frames per second

With 4K recording at up to 120 frames per second with autofocus, you can create extraordinarily smooth 5x (max.) slow-motion imagery to expand your storytelling options.

Reliable AF maintains a steady focus

Sophisticated tracking features let you concentrate on your shoot. The FX30 provides stable AF and flexible focusing for a wide range of shooting situations. Wide-area AF provides tenacious subject tracking across almost the entire frame, with Real-time Tracking based on Sony's unique, AI-based subject recognition. Real-time Eye AF ensures precise focus on the face and eyes, tailored to humans, birds and animals.

In-body image stabilization for hand-held shooting

Active Mode is a 5-axis image stabilization mode that uses a precision gyroscope sensor and optical compensation, enabling hand-held shooting at 4K resolution without a gimbal.

Compensation for focus breathing

In-camera Focus Breathing Compensation, when used with compatible lenses, provides more stable imagery by minimizing the field-of-view shift that can occur when racking focus. Additional breathing compensation is also available in post-production software, supported by camera metadata.

Ready to go wherever you shoot

Compact and light in weight, the FX30 can be operated in combination with gimbals and drones, or with a variety of attached equipment. It's designed to withstand long shoots, with sturdy construction suited to harsh conditions.

Compact, lightweight body

Designed for mobility and comfortable operation. Weighing in at 1 lb 6.8 oz (646 g) with battery and memory card and 2 lb 1.5 oz (951 g) with the XLR handle unit, the FX30 features a distinctive flat-top design that's suitable for either handheld shooting or gimbal mounting. The camera grip has been designed to provide optimum flexibility, stability, and comfort for extended handheld shooting sessions.

New main menu

Quick access to frequently used features. While shooting, you can access frame rate10, shutter speed, and other essential shooting parameters via a list-style main menu. Display of the main menu can be assigned to a custom button so that parameters can be quickly checked and edited as needed prior to shooting. Separate main menus optimized for movies and stills are provided.

Two CFexpress Type A and SD card compatible media slots

CFexpress Type A is the next standard for compact storage, with fast write/read speeds suitable for 4K movie recording at high bit rates. Dual slots enable either relay or simultaneous recording.

Flexible high-resolution touch-panel LCD monitor

A side-opening vari-angle rear monitor allows broad positioning and framing freedom. It's bright enough for easy outdoor daytime viewing, and it incorporates a swipe-to-access function menu.

Broad connectivity in a compact body

An HDMI Type-A connector can be used for external recorders and display devices. Other connectors include USB Type-C®, Multi/Micro-USB, mic, headphone, and a Multi Interface Shoe with built-in digital audio interface.

16-bit RAW output via HDMI

For demanding workflows, 16-bit RAW output is available over HDMI connection to compatible external recorders. RAW video output is 4672 x 2628 [16:9] resolution, exceeding DCI-4K resolution.

Expandable to meet your needs

Whether it's finding the perfect lens for your shoot, choosing the best external audio source or accommodating post-production workflow requirements, the FX30 has you covered.

Product Specifications:

Battery Operating Time

Actual recording, CIPA standard - Approx. 115 min

Continuous recording, CIPA standard - Approx. 175 min

Still image, CIPA standard - Approx. 570 shots

Size & Weight (Approx.)

Weight (main unit only) - 646 g (1 lb 6.8 oz) (with battery and memory card included), 562 g (1 lb 3.8 oz) (body only)

Weight (including supplied accessories) - 951 g (2 lb 1.5 oz) (with XLR Handle, battery and memory card included)

Dimensions (W x H x D) - 129.7 mm x 77.8 mm x 84.5 mm (5 1/8 x 3 1/8 x 3 3/8 inches) (body without protrusions)

Operation

Operating Temperature - -20 to +55 degrees C

Storage Temperature - -20 to +55 degrees C

Recording Frame Rate (Video)

XAVC S-I 4K - 3840x2160/59.94p, 50p, 29.97p, 25p, 23.98p

XAVC S-I HD - 1920x1080/59.94p, 50p, 29.97p, 25p, 23.98p

XAVC S 4K - 3840x2160/119.88p,100p,59.94p, 50p, 29.97p, 25p, 23.98p

XAVC S HD - 1920x1080/119.88p,100p,59.94p, 50p, 29.97p, 25p, 23.98p

XAVC HS 4K - 3840x2160/119.88p,100p,59.94p, 50p, 23.98p

Recording/Playback Time (Video)

XAVC S-I 4K - XAVC S-I 4K 59.94p: When using CEA-G160T (160 GB) Approx. 25 minutes, When using CEA-G80T (80 GB) Approx. 10 minutes, XAVC S-I 4K 50p: When using CEA-G160T (160 GB) Approx. 35 minutes, When using CEA-G80T (80 GB) Approx. 15 minutes

XAVC S-I HD - XAVC S-I HD 59.94p: When using CEA-G160T (160 GB) Approx. 75 minutes, When using CEA-G80T (80 GB) Approx. 35 minutes, XAVC S-I HD 50p: When using CEA-G160T (160 GB) Approx. 90 minutes, When using CEA-G80T (80 GB) Approx. 40 minutes

XAVC S 4K - XAVC S 4K 59.94p/50p 200M: When using CEA-G160T (160 GB) Approx. 80 minutes, When using CEA-G80T (80 GB) Approx. 40 minutes, XAVC S 4K 59.94p/50p 150M: When using CEA-G160T (160 GB) Approx. 100 minutes, When using CEA-G80T (80 GB) Approx. 50 minutes

XAVC S HD - XAVC S HD 59.94p/50p 50M: When using CEA-G160T (160 GB) Approx. 270 minutes, When using CEA-G80T (80 GB) Approx. 130 minutes, XAVC S HD 59.94p/50p 25M: When using CEA-G160T (160 GB) Approx. 430 minutes, When using CEA-G80T (80 GB) Approx. 210 minutes

XAVC HS 4K - XAVC HS 4K 59.94p/50p 200M: When using CEA-G160T (160 GB) Approx. 80 minutes, When using CEA-G80T (80 GB) Approx. 40 minutes, XAVC HS 4K 59.94p/50p 150M: When using CEA-G160T (160 GB) Approx. 100 minutes, When using CEA-G80T (80 GB) Approx. 50 minutes, XAVC HS 4K 59.94p/50p 100M: When using CEA-G160T (160 GB) Approx. 150 minutes, When using CEA-G80T (80 GB) Approx. 75 minutes, XAVC HS 4K 59.94p/50p 75M: When using CEA-G160T (160 GB) Approx. 190 minutes, When using CEA-G80T (80 GB) Approx. 95 minutes, XAVC HS 4K 59.94p/50p 45M: When using CEA-G160T (160 GB) Approx. 290 minutes, When using CEA-G80T (80 GB) Approx. 140 minutes

Recording Format (Proxy Audio)

XAVC Proxy - AAC-LC, 128 kbps, 2 ch

Recording Format (Proxy Video)

XAVC HS HD - MPEG-H HEVC/H.265 1920x1080 4:2:0 10 bit 16 Mbps 1920x1080 4:2:0 10 bit 9 Mbps

XAVC S HD - MPEG-4 AVC/H.264 1280x720 4:2:0 8 bit 6 Mbps

Other Video Function

Video Functions - Audio Level Display, Audio Rec Level, TC/UB, Creative Look, Gamma Display Assist, PAL/NTSC Selector

Recording (Still)

Recording Format - JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)

Image Size (pixels) [3:2] - L: 6192 x 4128 (26M), M: 4384 x 2920 (13M), S: 3104 x 2064 (6.4M)

Image size (pixels) [4:3] - L: 5504 x 4128 (23M), M: 3888 x 2920 (11M), S: 2752 x 2064 (5.7M)

Image Size (pixels) [16:9] - L: 6192 x 3480 (22M), M: 4384 x 2464 (11M), S: 3104 x 1744 (5.4M)

Image size (pixels) [1:1] - L: 4128 x 4128 (17M), M: 2912 x 2912 (8.5M), S: 2064 x 2064 (4.3M)

Camera Section

Shutter Speed - [Movie] 1/8000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode), [Still image] 1/8000 to 30 sec

Imaging Device (Type) - APS-C type (23.3 x 15.5 mm), Exmor R CMOS sensor

Number of Pixels (Effective) - Movie: Approx. 20.1 megapixels, Still image: Approx. 26.0 megapixels

Number of Pixels (total) - Approx. 27.0 megapixels

ISO Sensitivity - [Movie] ISO 100-32000 equivalent , AUTO (ISO 100-6400, selectable lower limit and upper limit), [Still image] ISO 100-32000 (Expandable to ISO 50- 102400), AUTO (ISO 100-6400, selectable lower limit and upper limit)

Slow and Quick Motion Function - [XAVC S-I HD / XAVC S HD]NTSC mode: 1fps,2fps,4fps,8fps,15fps,30fps,60fps,120fps,240fps, PAL mode: 1fps,2fps,3fps,6fps,12fps,25fps,50fps,100fps,200fps

White Balance - Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom

Gamma Curve - Off / PP1-PP6 / PP10-PP11, Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset

Latitude - 14+ stop (S-Log3)

Focus system

Type - Fast Hybrid AF (phase-detection AF / contrast-detection AF)

Focus Point - Movie: 495 points (phase-detection AF), Still image: 759 points (phase-detection AF)

Sensativity Range - EV-3 to EV20 (ISO100 equivalent with F2.0 lens attached)

Focus Mode - Movie: AF-C (Continuous AF), Manual Focus, Still image: AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus

Focus Area - Movie: Wide / Zone / Center Fix / Spot / Expand Spot, Still image: Wide / Zone / Center Fix / Spot / Expand Spot / Tracking

Other Focus Features - Focus Magnifier (APS-C: 6.1x / 12.1x)

Exposure control

Metering Sensativity - EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)

Exposure Modes - Movie: Programmed AE (P) / Aperture priority (A) / Shutter priority (S) / Manual Exposure (M) / Flexible Exp. Mode, Still images: Intelligent Auto (Auto) / Program Auto (P) / Aperture priority (A) / Shutter priority (S) / Manual Exposure (M)

Monitoring

LCD - Opening Angle:Approx. 176 °, Rotation Angle:Approx. 270 °

Built-in Microphone

Built-in Microphone - Built-in, stereo

File System

File System - FAT12, 16, 32, exFAT

Zoom Function

Clear Image Zoom - Movie: Approx. 1.5x (4K), Approx. 2x (HD), Still image: L: Approx. 2x, M: Approx. 2.8x, S: Approx. 4x

Digital Zoom - Movie: Approx. 4x Still Image: L: Approx. 4x, M: Aapprox. 5.7x, S: Approx. 8x

Smart Zoom - Still Image: M: Approx. 1.4x, S: Approx. 2x

Still image function

Shutter - Electronic shutter

Drive Modes - Single Shooting, Self-timer, Bracket: Single, White Balance bracket, DRO bracket

Noise Reduction - High ISO NR: Normal / Low / Off

Other Still Image Function - Anti-flicker Set

Custom function

Custom Function - Custom key settings, My Menu, My Dial Settings, Reg. Custom Shoot Set

Lens Compensation

Lens Compensation - Peripheral Shading, Chromatic Aberration, Distortion

Wi-Fi/NFC

Supported Format - IEEE 802.11a/b/g/n/ac

Frequency Band - 2.4 GHz band/5 GHz band

Security - WEP/WPA-PSK/WPA2-PSK

FTP Transfer

FTP Transfer - Wired LAN (USB-LAN), USB Tethering, Wi-Fi

RAW Output

HDMI - 4672 x 2628 (59.94p, 50p, 29.97p, 25p, 23.98p), 16bit

Media

Type - CFexpress Type A / SD card (x2), Simult. Rec, Sort, Auto Switch Media, Copy

Image Stabilization

Type - Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)

Mode - Movie: Active / Standard / Off, Still image: On / Off

Compensation Effect (Still Images) - 5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50mm F1.4 ZA lens mounted.)

Accessibility

Screen Reader - Yes (Language: English, Speed: 7 steps, Volume: 16 steps)

Zoom

Zoom Function - Zoom ring rotate

Recording Format (Video)

XAVC S-I 4K - XAVC S-I 4K 59.94p: 600 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I 4K 50p: 500 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I 4K 29.97p: 300 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I 4K 25p: 250 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I 4K 23.98p: 240 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264

XAVC S-I HD - XAVC S-I HD 59.94p: 222 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I HD 50p: 185 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I HD 29.97p: 111 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I HD 25p: 93 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S-I HD 23.98p: 89 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264

XAVC S 4K - XAVC S 4K 59.94p/50p: 200 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S 4K 59.94p/50p: 150 Mbps 4:2:0 8 bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p: 140 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S 4K 23.98p: 100 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p: 100 Mbps 4:2:0 8 bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p: 60 Mbps 4:2:0 8 bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p: 280 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p: 200 Mbps 4:2:0 8 bit MPEG-4 AVC / H.264

XAVC S HD - XAVC S HD 59.94p/50p/29.97p/25p/23.98p: 50 Mbps 4:2:2 10 bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p/29.97p/25p/23.98p: 50 Mbps 4:2:0 8 bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p: 25 Mbps 4:2:0 8 bit MPEG-4 AVC / H.264, XAVC HD 29.97p/25p: 16 Mbps 4:2:0 8 bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p: 100 Mbps 4:2:0 8 bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p: 60 Mbps 4:2:0 8 bit MPEG-4 AVC / H.264

XAVC HS 4K - XAVC HS 4K 59.94p/50p: 200 Mbps 4:2:2 10 bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p: 150 Mbps 4:2:0 10 bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p/23.98p: 100 Mbps 4:2:2 10 bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p: 75 Mbps 4:2:0 10 bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p: 45 Mbps 4:2:0 10 bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p: 100 Mbps 4:2:0 10 bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p: 50Mbps 4:2:2 10 bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p: 50 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p: 30 Mbps 4:2:0 10 bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p: 280 Mbps 4:2:2 10 bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p: 200 Mbps 4:2:0 10 bit MPEG-H HEVC / H.265

Recording Format (Audio) - LPCM 2 ch(48 kHz 16 bit), LPCM 2 ch(48 kHz 24 bit), LPCM 4 ch(48 kHz 24 bit)

Interface

Audio Input - 3.5 mm Stereo minijack, XLR handle: [INPUT1][INPUT2] XLR/TRS-type 3-pin(female) (x2), line/mic/mic +48 V selectable, Mic Reference -40 to -60 dBu / [INPUT3] 3.5 mm Stereo minijack

Headphone Output - 3.5 mm Stereo minijack

Speaker Output - Built-in, monaural

HDMI Output - YCbCr 4:2:2 10 bit / RGB 8 bit

Multi Interface Shoe - With Digital Audio Interface

TC Input/TC Output - Multi/Micro USB, TC IN *6  With Digital Audio Interface

USB Terminal - USB Type-C® (x1, SuperSpeed USB 10 Gbps (USB 3.2) compatible), Multi/Micro USB (x1)

Power Consumption

Movie - Approx. 5.6 W (with E PZ 18-105mm F4 OSS lens attached)

Still Image - Approx. 3.5 W (with E PZ 18-105mm F4 OSS lens attached)

Playback

Playback Functions - Index view, Folder selection (Date / Still / Movie), Photo capture, 4ch audio monitoring, Auto Review (stills), Image orientation (stills), Protect (stills), Rating (stills), Display as Group (stills)

Lens Mount

Type - E-Mount

What's In The Box

Supplied Accessories - Camera body | ILME-FX30 Rechargeable Battery | NP-FZ100 USB battery charger | AC-UUD12 Top Handle with XLR Input Module Body cap MI Accessory shoe cap Handle Shoe Cap USB-A to USB-C cable (USB 3.2)